How to Start Painting Portraits in Color (Start With Brown)

An easy, reliable way to begin painting portraits directly in color without guessing.


If starting a portrait in color feels intimidating, you’re not alone.

Most artists struggle not because color is mysterious, but because they don’t know where to begin. They jump straight into reds, yellows, and details, and the painting quickly feels muddy, out of control, or wrong.

In this short demo, I’ll show you a simple, proven way to start painting portraits directly in color using one foundational idea that changes everything.

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The Core Idea

Human skin is not red. It’s not yellow. And it’s definitely not pink.

At its foundation, skin is a range of browns.

Once you understand this, starting a portrait becomes calm, logical, and repeatable. Instead of chasing colors, you design value and temperature relationships first, then let color emerge naturally.

This approach works for beginners and professionals alike, and it’s one I use constantly in my own work.

Start With Brown

Make it stand out

Brown is powerful because it already contains all three primaries. Orange + blue = brown.

That means when you begin with brown, you’re starting with a color that is already neutral, flexible, and perfect for skin. Rather than guessing with many colors, you establish a solid foundation that can be pushed warmer, cooler, lighter, or darker with control.

Pro-Tip: If the brown looks right, everything built on top of it will be easier.

The Simple Process

Step 1 - Make a Brown

The make a natural looking brown base, first select orange. Any orange will work. Then slowly introduce blue until the color neutralizes into a brown that feels natural and skin‑like. Don’t overthink it. This is your starting block‑in color.

Step 2 - Adjust Value and Saturation

Before worrying about exact color, get the value right.

  • Lighten or darken the brown to match the general skin tone of the subject and the overall lighting

  • Reduce saturation so the color stays calm and believable

This step alone solves most beginner color problems.

Step 3 - Add Color Variation

Skin is not one flat color.

From this single brown, create gentle variations:

  • Slightly darker versions

  • Slightly redder versions

  • Slightly cooler blue‑gray versions

Gradients and subtle shifts do the heavy lifting here. You don’t need dozens of colors, just thoughtful variation.

Step 4 - Develop the Painting (Without Overdoing It)

Once your color foundation is solid:

  • Separate light and shadow clearly

  • Add darker accents to turn form

  • Introduce highlights sparingly

This demo focuses on starting correctly, not finishing every detail. A strong beginning makes the rest of the painting far easier.


Why This Works

This method removes guesswork. You’re no longer chasing color. You’re designing value, temperature, and structure, the same way great painters always have. If your portraits tend to look too red, too orange, too gray or just feel simply “off”, this approach will immediately bring more control and confidence.

Want the Full Color System?

This lesson is just a small piece of my complete color framework. If you want to elevate your color skills and paint with confidence, check out my fully structured Color Design Masterclass…

Inside this detailed program, you’ll find:

  • A fully structured 4‑module color course

  • Step‑by‑step painting processes

  • Weekly guided lessons and exercises

  • Direct feedback inside a private Skool community

👉 Click here to access the FULL color course and more…

Screenshots from the course

If you’re serious about painting portraits with confidence, clarity, and control, this system will change how you see color forever. Click here to get unlimited access to the fully structured Masterclass.

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Composition Exercise: Tonal Study After Richard Schmid